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If you take a round disc, poke a hole in it somewhere off the centre, place a pencil in that hole and then role the disc along a straight edge-you've just looked at the secret to Cremonese arching.
This
points to an important aspect of Italian methods for violin making: everything
is planned and engineered in a great violin. Nothing is left to chance-and
it is the ability to use these methods, and to create one's own templates
and designs, that separates the good makers from the great.
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